PANG! Om Didi-Hubermans pan-begreb fra bebudelse til korsfæstelse
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PANG! Om Didi-Hubermans pan-begreb fra bebudelse til korsfæstelse. / Rösing, Lilian Munk.
In: Passepartout, Vol. 43, 4, 2023, p. 75-94.Research output: Contribution to journal › Journal article › Research › peer-review
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TY - JOUR
T1 - PANG!
T2 - Om Didi-Hubermans pan-begreb fra bebudelse til korsfæstelse
AU - Rösing, Lilian Munk
PY - 2023
Y1 - 2023
N2 - Pan is Didi-Huberman’s concept for the spot where or moment when the materiality of the painting makes itself present in a way that draws away attention from what the painting represents. This article examines the concept of pan, as Didi-Huberman defines it in the appendix to Devant l'image, but also based on the analyzes he presents in the book's first and last chapters of an annunciation and a crucifixion image, respectively. I will argue that pan can be a lack of figure or an excess of matter, and that these two variants (or accent shifts) can be linked art-historically to the motifs of the annunciation and the crucifixion respectively, both of which are decisive scenes in the central evangelical event: the Incarnation, which for Didi-Huberman is also a concept for the materialization that the painting performs. Finally, the article points to instances of pan in paintings by Anna Ancher.
AB - Pan is Didi-Huberman’s concept for the spot where or moment when the materiality of the painting makes itself present in a way that draws away attention from what the painting represents. This article examines the concept of pan, as Didi-Huberman defines it in the appendix to Devant l'image, but also based on the analyzes he presents in the book's first and last chapters of an annunciation and a crucifixion image, respectively. I will argue that pan can be a lack of figure or an excess of matter, and that these two variants (or accent shifts) can be linked art-historically to the motifs of the annunciation and the crucifixion respectively, both of which are decisive scenes in the central evangelical event: the Incarnation, which for Didi-Huberman is also a concept for the materialization that the painting performs. Finally, the article points to instances of pan in paintings by Anna Ancher.
KW - Det Humanistiske Fakultet
KW - Georges Didi-Huberman
KW - Pan
KW - Anna Ancher
KW - inkarnation
KW - materialitet
M3 - Tidsskriftartikel
VL - 43
SP - 75
EP - 94
JO - Passepartout
JF - Passepartout
SN - 0908-5351
M1 - 4
ER -
ID: 381076759