The Seismographic Design Concept: a disciplinary development

Research output: Contribution to journal › Journal article › Research › peer-review

Standard

The Seismographic Design Concept : a disciplinary development. / Salamon, Karen Lisa; Engholm, Ida.

In: Artifact, Vol. 3, No. 4, 01.11.2015.

Research output: Contribution to journal › Journal article › Research › peer-review

Harvard

Salamon, KL & Engholm, I 2015, 'The Seismographic Design Concept: a disciplinary development', Artifact, vol. 3, no. 4.

APA

Salamon, K. L., & Engholm, I. (2015). The Seismographic Design Concept: a disciplinary development. Manuscript submitted for publication.

Vancouver

Salamon KL, Engholm I. The Seismographic Design Concept: a disciplinary development. Artifact. 2015 Nov 1;3(4).

Author

Salamon, Karen Lisa ; Engholm, Ida. / The Seismographic Design Concept : a disciplinary development. In: Artifact. 2015 ; Vol. 3, No. 4.

Bibtex

@article{42a6155c344041248eb17e0822fafb42,
title = "The Seismographic Design Concept: a disciplinary development",
abstract = "This article gives an overview of the theoretical development of the design concept through two centuries in Europe and North America. Drawing on the academic disciplines of design history and anthropology, the authors present seminal moments in the theorization of “design”. Historically formative roots of modern design theory and academic design studies are traced back to Enlightenment debates and Romanticist discussions about industrial production, craftsmanship and the role of art in society. The history of modern design theory is described in the metaphorical terms of an unstable line or seismograph, teetering back and forth between Romanticist and Scientist ideological positions. The gradual marginalization of certain understandings of design, and the inclusion of other understandings formerly external to the design concept{\textquoteright}s application range are also addressed. The article conclusively argues for a more historically reflective glance on theory{\textquoteright}s influence on the moulding of practice from ideology also in the context of design, and presents itself as a step in this self reflective direction.",
keywords = "Faculty of Social Sciences, designantropologi, designhistorie, begrebshistorie, Kultursociologi, h{\aa}ndv{\ae}rkshistorie, kulturproduktion, kunstbegreb, Faculty of Humanities, Designhistorie, Design history, Design historie, Begrebshistorie, kulturproduktion, Arts and Crafts , Romantikken, kunstbegreb, design begreb, designantropologi, designetnografi",
author = "Salamon, {Karen Lisa} and Ida Engholm",
note = "Artiklen blev f{\o}rste gang pr{\ae}senteret i work paper version ved {"}Seminar om designantropologi{"}, 04/03/2015, http://www.antropologforeningen.dk/seminar-om-designantropologi/; null ; Conference date: 04-03-2015 Through 04-03-2015",
year = "2015",
month = nov,
day = "1",
language = "English",
volume = "3",
journal = "Artifact",
issn = "0004-3680",
number = "4",

}

RIS

TY - JOUR

T1 - The Seismographic Design Concept

AU - Salamon, Karen Lisa

AU - Engholm, Ida

N1 - Artiklen blev første gang præsenteret i work paper version ved "Seminar om designantropologi", 04/03/2015, http://www.antropologforeningen.dk/seminar-om-designantropologi/

PY - 2015/11/1

Y1 - 2015/11/1

N2 - This article gives an overview of the theoretical development of the design concept through two centuries in Europe and North America. Drawing on the academic disciplines of design history and anthropology, the authors present seminal moments in the theorization of “design”. Historically formative roots of modern design theory and academic design studies are traced back to Enlightenment debates and Romanticist discussions about industrial production, craftsmanship and the role of art in society. The history of modern design theory is described in the metaphorical terms of an unstable line or seismograph, teetering back and forth between Romanticist and Scientist ideological positions. The gradual marginalization of certain understandings of design, and the inclusion of other understandings formerly external to the design concept’s application range are also addressed. The article conclusively argues for a more historically reflective glance on theory’s influence on the moulding of practice from ideology also in the context of design, and presents itself as a step in this self reflective direction.

AB - This article gives an overview of the theoretical development of the design concept through two centuries in Europe and North America. Drawing on the academic disciplines of design history and anthropology, the authors present seminal moments in the theorization of “design”. Historically formative roots of modern design theory and academic design studies are traced back to Enlightenment debates and Romanticist discussions about industrial production, craftsmanship and the role of art in society. The history of modern design theory is described in the metaphorical terms of an unstable line or seismograph, teetering back and forth between Romanticist and Scientist ideological positions. The gradual marginalization of certain understandings of design, and the inclusion of other understandings formerly external to the design concept’s application range are also addressed. The article conclusively argues for a more historically reflective glance on theory’s influence on the moulding of practice from ideology also in the context of design, and presents itself as a step in this self reflective direction.

KW - Faculty of Social Sciences

KW - designantropologi

KW - designhistorie

KW - begrebshistorie

KW - Kultursociologi

KW - håndværkshistorie

KW - kulturproduktion

KW - kunstbegreb

KW - Faculty of Humanities

KW - Designhistorie

KW - Design history

KW - Design historie

KW - Begrebshistorie

KW - kulturproduktion

KW - Arts and Crafts

KW - Romantikken

KW - kunstbegreb

KW - design begreb

KW - designantropologi

KW - designetnografi

M3 - Journal article

VL - 3

JO - Artifact

JF - Artifact

SN - 0004-3680

IS - 4

Y2 - 4 March 2015 through 4 March 2015

ER -

ID: 146252524